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Production Notes

Samples, synths, guitars, bass, programming: PS Perkins

All drums and percussion, keyboards: R Thomas

Guitars: K Finch

Lyric Sheet

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BARDS: Of The Morning Star
BARDS: Of The Morning Star

Of The Morning Star is generally regarded as the foundational musical text of the Nazilic tradition. More than a collection of songs, it presents a complete cosmology in thirteen movements

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Marginalia

Annotation 01-01A: On the First Dawn

 

Although traditionally placed at the beginning of the BARDS sequence, very few Nazilic scholars believe this fragment depicts the literal beginning of humanity. Rather, it is generally interpreted as the first observable beginning within an immeasurably older succession of worlds. Throughout Nazilic doctrine, origins are understood to be inherently deceptive. Every apparent genesis is presumed to conceal an earlier cycle whose traces have been forgotten, buried, or transformed into myth.

Bell philosopher Gideon Mercer summarized the problem succinctly:

"The first sunrise belongs only to those who slept through the night before it."

Annotation 01-01B: Panspermia and the Great Returning

The unusual title has generated considerable discussion within the Department. Most commentators interpret the phrase Panspermic Abiogenesis not as a scientific proposition, but as symbolic language describing life emerging from the accumulated consequences of prior realities. The emphasis is therefore placed not upon miraculous creation, but upon continuity. Humanity is presented as the flowering of seeds already carried through the cosmos by forgotten histories and invisible chains of causality.

Several later Bell manuscripts identify this recurring process with the Shining One, whose successive incarnations appear to preserve fragments of memory from worlds that no longer exist. Whether the Shining One precedes humanity or emerges alongside it remains one of the oldest unresolved disputes in Nazilic scholarship.

Annotation 01-01C: The Silence Before the Bells

It has often been remarked that this opening composition contains no spoken words. Bell archivists have traditionally regarded this silence as deliberate. Before there are doctrines, poems, libraries, or even names, there is only emergence. Later traditions would speak of bells, songs, prophecies, and hidden instructions carried through culture, yet this fragment occupies the moment immediately preceding language itself—the instant in which order first gathers from apparent chaos.

An unsigned marginal note preserved in Bell Archive Notebook C-4 offers only a single sentence:

"Before the first word, there was already a listener."